Sentence examples for linear gaze from inspiring English sources

When we move beyond the linear gaze of worldview, and explore our communications within cross-cultural contexts, we encounter both reality and actuality of interactions.

At the first level, the general linear model (GLM) included regressors for 3 conditions: Averted gaze, direct gaze, and null events.

Slopes of linear regressions and correlation coefficients for gaze-velocity neurons were 0.53 and 0.49, respectively (P < 0.01).

Voxelwise responses to polar angle modulations were extracted independently for each time point (32 frames per cycle) and gaze condition using a general linear model (GLM) (Friston et al. 1995; Ollinger et al. 2001).

Knight (2012) performed a 1D linear analysis based on a paradigm that dissociated between head and gaze by comparing similar-sized gaze shifts starting from different initial gaze positions (which correlates with different head contributions to gaze; Freedman and Sparks 1997a, 1997b; Knight 2012).

Eye movements were recorded at a sampling rate of 60 Hz with the Tobii T-60 eye-tracker (Tobii Technology), which has an average gaze position error of 0.5 degrees and near-linear output over the range of the monitor used.

However, recorded eye position coordinates were added as regressors to the general linear model to account for and remove any possible small biases associated with eye gaze direction (see below).

Linear regression analysis was used to determine the interaction effects of group and quality of gaze with respect to the rate of correct responses for each task.

There seems to be agreement that the following factors are predictive for the extent of crowding in children with NV: gaze selection or gaze control, configuration (circular configuration of stimuli evokes more crowding than linear configuration), maturation of visual areas beyond V1 and cognitive development.

In particular, the gaze-velocity related discharge modulation of FEF pursuit neurons was predicted by the linear sum of vestibular and smooth-pursuit related modulation (Akao, smooth-pursuit related

The glowing orange spot pulls your gaze into the center of the painting (as in a Renaissance painting by, say, Masaccio), while the linear striations that compose the "wings" lead it back out to the peripheries.