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In 2006, a nervous Warner Brothers changed the well-known Superman line "truth, justice and the American way" to "truth, justice and all that stuff" in "Superman Returns".
When I first saw Ellsworth Kelly's 1960s lithographs with their minimalistic images of various plants defined by a single line, truth be told, I dismissed them without much thought.
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"When you're on an extremely tight production deadline, and you're a little cranky, the easiest thing to do is tell the bottom-line truth, even if it's mean".
Thoroughly cynical until he falls in love, Algernon is the character closest to Wilde himself, and Mr. McNall, dapper in mauve trousers, delivers some of the playwright's most quoted lines ("Truth is rarely pure and never simple") with the blitheness that makes them seem fresh.
The basic, maddening, bottom-line truth is that nothing has really changed as a result of this cataclysm.
In our current infotainment era, in which the line between truth and "truth" is growing ever more blurry, readers thirst for a narrative, any narrative, and will turn to the most compelling one.
These tactics are clearly effective as they serve to blur the line between truth and non-truth.
The line between truth and lies, between full picture and misleading snapshot, is terrifyingly thin.
But the line between truth and manipulation in the editing studio is not so clearly fixed.
She demonstrates how testimony crosses jurisdictions, publics, and the unsteady line between truth and fiction in search of justice.
And of course, that's a central theme, the squiggly line between truth and lies, integrity and pretence.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com