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But then, in the opening line of the next chapter, she corrects herself.
"Speaking of many, many levels...," he said, trailing off as the band started the hurtling beat and buzzing synthesizer bass line of the next song, "Dancing Choose".
The poem progresses three lines at a time, the first and third lines rhyming and the second setting up the rhyme for the opening line of the next threesome.
Ed Joyce missed the line of the next ball but the boisterous appeal was rejected by the Belfast umpire Mark Hawthorne – no DRS here, but replays did show the ball was missing by a whisker.
The rhythm and mood change dramatically in the first line of the next stanza: three tapping stresses for the mason's mallet, "timed" to the lighter metrical flourish of "a lark's twitter".
What could have been another narrative overwhelmed by the introduction of a famous name is brilliantly subverted by the opening line of the next chapter: "As it happened, Houdini's unexpected visit had interrupted Mother and Father's coitus".
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The smile comes a moment later, with the first lines of the next song: "Honey, put down that flyswatter / and pour me some ice water".
Even so, the main economic battle-lines of the next election are starkly drawn: state activism and struggling consumers against free markets and enterprise.
The battle lines of the next election are now clearly drawn, and the happy smiles on the faces of Labour activists leaving the conference hall suggest that they will be hungry to take the fight on.
The reader quickly discovers that it is composed as a pantoum: a verse form in which the second and fourth lines of one quatrain become the first and third lines of the next; lines that are part of one sentence loop back in another context, creating a carousel of accidental-seeming conjunctions.
Hammerstein wrote Mei Li's first act song, "I Am Going to Like It Here", in a Malaysian poetic form called pantoum in which the second and fourth lines of each stanza become the first and third lines of the next.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com