Sentence examples for line of instruments from inspiring English sources

The SVB-100K Silent Bass is Yamaha's latest addition to its line of instruments that allow musicians to practice in privacy using headphones and, more important, not bother others with that awful movement by Berlioz.

Mr. Humphrey also licensed his design to C. F. Martin, the guitar company, for a line of instruments that included one built to the specifications of the rock star Sting.

But the student percussionist here, Nicholas Tolle, was unfazed: moving down the line of instruments arrayed across the stage, he gave a full-throttle performance of this rhythmically complex, irresistibly visceral score.

On a good night, Mr. King and his guitar, one of a long line of instruments called Lucille, summon all the tribulation and joy and resilience of the blues.

Well over 100,000 DX-7s were sold, and Yamaha adapted their FM technology to a line of instruments ranging from portable, toylike keyboards to rack-mounted modules for studio and experimental use.

Another Edmonton company, Dycor, provides a line of instruments for operating MFCs.

1731, Paris) was the first of the line of instrument makers of the Blanchet family; after 1722 Nicolas and his son François the Elder worked as partners, producing instruments based largely on models of the Ruckers family, the great Flemish harpsichord makers.

Ms. Wurlitzer comes from an illustrious line of instrument dealers (known primarily for their pianos, organs and jukeboxes), and she speaks with the knowing sharpness one might expect from growing up around a family business, together with the thoughtful wisdom of having reinvented it.

In order to sufficiently monitor hydraulic stimulation, surveys should be designed such that lines of instruments extend sufficiently beyond the stimulation zone in both horizontal and (especially) vertical directions.

As a line-of-sight instrument, these tools provide data on displacement magnitudes and rates, but not true direction hence limiting their use in gaining understanding of the kinematics and behavior of the moving slope.

For Andriessen, that meant what amounted to a decades-long aversion to the sustaining line of string instruments, and an almost genetic attraction to the rhythmic power and potential of brass, winds, percussion and electric instruments – a sort of souped-up version of the kind of ensemble Stravinsky loved the best.