Sentence examples for limits of form from inspiring English sources

But now the computer has essentially done away with the limits of form, because information, once it has been digitized, can be conveyed through sound or touch.

And it's also pleasing that in contrast to Armand's testing of the limits of form and possibility, sense and nonsense, Deborah Andrews's debut makes a virtue of being steady, conventional, and determinedly realistic.

Using this technique there are no limits of form and size of laboratory for a space station that will permit long term experiments on Earth orbit with plants and animals in sufficient volume for creation of closed self-regulating ecological systems.

This demonstrates how robust optimization can assist in further stretching the limits of forming processes, while remaining robust with respect to sources of variation.

The Gaussian-mode approximation applied to the analysis of fiber birefringence reveals the existence of a physical limit of form birefringence in an optical fiber, controlled by the trade-off between diffraction and step-index confinement of electromagnetic field in a noncircular waveguiding channel.

Accordingly this paper explores the forming limits of sheet forming processes which induce any possible proportional loading, including all six components of the symmetric stress tensor.

But Lagerlöf's interpretation of this potentially tedious didactic task breaks the limits of the form.

They were contemporaries, after all, working different sides of the street, one exploding the limits of symphonic form, the other boiling them down to the absolute essentials.

Among the leaders of this small field, Randall Balsmayer, founder of Big Film Design in New York, is one of the most innovative, wedding novel digital effects with type and image and pushing the limits of the form.

Serial is the standout example, but there are many other American podcasts pushing the limits of the form, harnessing imaginative means of storytelling and finding that its online audiences will fund them to grow.

However, like many younger Italian film-makers at the turn of the 60s, Rosi was impatient with the limits of the form, or the doctrine, or whatever it was.