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In "Everything Has Two Endings" she reminds us that "silence is not silence, but a limit of hearing".
The upper limit of hearing, where sound begins to become uncomfortably loud, is referred to as the threshold of discomfort (or uncomfortable loudness level).
The lower limit of hearing, where sound is just detectable, is referred to as the threshold of hearing (also known as absolute threshold, or absolute sensitivity).
This resonance appears to occur, perhaps coincidentally, at about half the upper frequency limit of hearing in each of these cases.
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In practice, the amount of information that can be shared between the left and right hearing aids is limited by constraints on power consumption imposed by the limited capacity of hearing aid batteries.
By comparison, a tube amp pushed to distortion has a soft clipping edge, and harmonics that fall off well within the limits of hearing, giving tube amps their famed warmth.
Similarly, patients with CWD are limited in their choice of hearing aids, due to the enlarged ear cavity.
Moreover, it has been suggested that there are limited cross-cultural studies in the area of hearing health care.
Hence, the outer and middle ear transfer functions limit the ability to detect low-amplitude audio signals and affect the absolute threshold of hearing [24, 25].
Thus, hearing technologies should provide a remarkable compensation of hearing deficits for people with hearing loss.
Special microphones must be used to detect these low-frequency sounds, since the lower limit of human hearing is about 20 hertz.
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