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Dan Majerle and Tim Hardaway stagger around like woozy prizefighters, unwilling to drop from their assortment of bruises and sprains.
On a different evening at Roof, this time well past midnight, two go-go dancers twirled like woozy tops, flanking a D.J. who was blasting Paula Abdul's "Straight Up".
Naturally enough, Cole resembled both his leads: like Woozy, he was soft-bodied, somewhat dishevelled, and no city slicker; like Plastic Man, he was tall, pointy-nosed, and "very likable…a straight arrow — sort of a Boy Scout in some ways," as Gill Fox, Cole's close friend and his editor at Quality, described him to me.
In June, at a rehearsal in an upstairs studio at the Brooklyn Academy, many of the performers seemed anxious and uncertain, swaying on their artificial legs like woozy giants wearing prostheses, and the puppets were wobbly too, dragging their toes across the floor or else jerking along in ungainly bounds.
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The fifth song depicts a departing train through heaving rhythms, like some woozy march.
Percussion effects redolent of gastrointestinal distress made the second movement sound like the woozy aftermath of a bad Italian meal lubricated with too much cheap red wine.
The zither can move smoothly between classical and folk music, and even approximate something like the woozy lilt of a Hawaiian lap steel guitar.
Marooned on his sofa "like a woozy sea lion," he spent weeks at a time scowling at the reality shows, talent competitions, and celebrity vehicles that were beginning to dominate Britain's programming.
The somber opening sequence establishes a mood of gloomy disorientation that settles like a woozy pall over the film, whose dialogue feels semi-improvised by actors who seem slightly dazed.
When you're content to blow an entire fortnight basking on your sofa like a woozy sea lion, playing Super Bomberman, eating Minstrels and sniggering at Alastair Stewart's bombastic voiceover on Police Camera Action! there's not much impetus to push yourself.
Like the woozy soft rock of the album's teaser track West Coast, many of the songs on Ultraviolence are slow-tempo and atmospheric, ditching the hip-hop trappings of Born To Die for what she and her producer – the Black Keys' Dan Auerbach – call a "real narco swing".
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com