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Now that the horror of "distracted driving" has been brought thoroughly to light, the subject of much public handwringing, a flurry of state legislation, and a 347-part series in the Times, it is time to turn our collective attention to a related and equally heinous societal scourge: distracted walking.
If indoors, light the subject so that you can see him or her well, and so that the lighting enhances the form.
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To make sure you don't underexpose, use a simple tin foil reflector to light the subjects face and at night use a fast lens.
The associated latencies as the assistant lights the subject, and the communication required from the photographer to achieve optimum lighting could mean missing a critical shot.
I'm sure you've seen those old, scary movies where the director lit the subject from below, casting shadows over the villain's face in the most unpleasant manner.
However, even if you're in dark conditions, try using lamps and other light sources to create interesting shadows with your subject, such as lighting the subject from the side.
These aren't filters, but rather a real-time analysis of the light hitting the subject's face, and these lighting effects can be added before and after the photo is taken.
What you are trying to do is "create a small inverted triangle of light on the subject's cheek which is opposite the light source".
Get a bunch of strong LED lights and find a way to focus and aim their light at the subject.
Handheld meters measure incident light (light that illuminates the subject of the photography) as well as reflected light (light reflected from the subject and picked up by the camera).
But none have shed much light on the subject.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com