Sentence examples for libretto called from inspiring English sources

Exact(5)

This wordless reverie – in the libretto called Dance of Air and Wire, for Earth – seemed a natural ending, rather than the chorus of grief which followed.

Walsh's first operatic libretto, called The Last Hotel, is based on a true story in which a woman advertised for someone to come and end her life.

The middle section of the opera libretto, called "Her Mirror of Simple Souls"—an appreciation of the work of the martyred 13th-century mystic Marguerite Porete was produced in 1999 as an "opera installation".

Next February he has a retrospective at the Hayward Gallery in London, and he has recently completed his first – and, he assumes, last – libretto, called Pass the Spoon, which will be performed for three nights next month at the Tramway, Glasgow.

To add to the humor of the frequently scatological occasion, Hedwig and band (Justin Craig as Skszp, Matt Duncan as Jacek, Tim Mislock as Krzyzhtoff, Peter Yanowitz as Schlatko) are appearing on the night after the (fictional) tuner Hurt Locker with its Tony Kushner-Brandon Nipp libretto called it quits following a single performance.

Similar(55)

Journalism, like soldiering, is to be replaced by what Weir in her libretto calls "cultivation and repose".

Then, at the moment where the libretto calls for him to drown in a river, Wozzeck climbs into the tank and submerges himself entirely.

Opera directors, with their love for the lurid, seem to relish the opportunity to pile horror upon horror; while the libretto calls for one rape, we are usually subjected to rapes galore.

Gershe took her advice and fashioned a libretto he called Wedding Day, which eventually proved the basis of Funny Face, in which Fred Astaire was Dick Avery (a barely disguised version of Dick Avedon and Audrey Hepburnn was Jo, a Greenwich Village intellectual with disdain for the world of fashion.

Based on the true story of the discovery of a corpse in a Black Country tree in 1943, apparently after a ritualistic killing, Holt's libretto cleverly calls for the page-turner at a piano recital suddenly to leap to his feet and start confessing his guilt at complicity in the crime many years ago.

Charles Jennens's libretto – he modestly called it a "Scripture collection" – carefully surveys the entirety of Christian revelation by refashioning New Testament narrative in terms of the Old Testament prophecy, before turning towards the book of Revelation and the final establishment of God's kingdom on Earth.

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