Weir seems less interested in the story than in giving the images a spiritual glow.
It may be because many Deadheads prefer the ersatz version of the real thing to the degraded mutation, or that they prefer Mattson to Kadlecik, who, now that he's playing the Garcia role with Lesh and Weir, sounds less like Garcia than he did when he was playing with the fake Lesh and Weir.
Actually, such measures have been reported much less often, e.g. Weir (1996) gives formulae for up to four loci, and Sabatti and Risch (2002) give a measure based on excess of heterozygosity or of homozygosity.
The texture is good, but the flavour less interesting than the Weirs' version.
Weir is even less diplomatic.
The growth of The Big House, formally Post Resources, has enabled the Weirs not only to spend more time as a family, but to create an environment that Ms. Weir said is less stressful and more conducive to creativity.
The absence of an intermediary sparring partner in the shape of a librettist may have made it difficult for the right person to say to Weir "more here, less there".
At the increasingly confident Northampton Theatre Royal, director Rupert Goold has come up with an Irish season that comprises the obvious - Conor McPherson's The Weir - and the less obvious: Samuel Beckett's Waiting for Godot.
At Osney, over half the money came from less than a mile from the weir at which the generating plant will be built.
While Jackett, the other managerial newbie in League One, undoubtedly has the more daunting job on his hands to turn Wolves' fortunes around, the challenge facing Weir at Bramall Lane is no less intriguing.
