The length of movement required necessitated the construction of a special effects set that was between 40 and 50 feet (12 and 15 m) wide (the largest used for the film), filled with salt to simulate the snow-capped Swiss mountains.
K J is a normalization factor formulated using the duration of movement MD, that is, the execution time (Tstart − Tend), and the minimum relative travel length of movement execution.
After deciding on instrumentation, length of movements, and general dynamics of each section, Nick began to send me pieces of the score.
This is why we just concentrate to find spatial relation between whisker movement and eyelid contraction on the same sequence of the movements (the full length of the movement could be observed in 3 10 consecutive frames).
These will provide reliable data on essential parts of ambulation, e.g. stride length, speed of movement, shifting of balance point, force, power, and workload.
It is okay to have unconventional numbers and lengths of movements in your symphony.
We used these trajectories to assess generalization, if any (to explore whether delay was expected also in longer movement and whether it was scaled with the length of the movement).
We used five parameters to describe the movement: the change in the inclination of the head during the opening action, the overall direction of the movement, the total path length and the direct path length of the movement, and a detour factor defined as the fraction of the total path length divided by the direct path length.
Where the change in cell volume (ΔV) was induced by moving the meniscus with the aid of the CPP, which was calculated from the length of meniscus movement in the micro-capillary using the eyepiece reticule of the microscope under a given magnification, and from the inner diameter of the capillary where the meniscus located (Steudle 1993).
In a circular layout, the formula for the maximum length of the movement from P t in direction γ j (i.e., x A according to previous definition) is [22] x A θ t = d t · cos θ t + R 2 - d t · sin θ t 2, (2).
Guillem had a completely different physicality: the sheer length of her movements was striking, every step and gesture longer and wider than anything I'd ever seen.
