Sentence examples similar to length exposition from inspiring English sources

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Thomas Frank's "What's the Matter with Kansas?" is a book-length exposition of Obama's one sentence.

And the accusation of racism turns heads and grabs headlines, whereas Wilson's complex and multifaceted investigation requires a book-length exposition.

This was followed by Essence of Eloquence (Legs bshad snying po) and Ocean of Reasoning (Rigs pa'i rgya mtsho) (1407 1408), the Medium-Length Exposition of the Stages of the Path (Lam rim 'bring) in 1415, and, in the last years of his life, his Elucidation of the Intention (dGongs pa rab gsal).

According to Poirot, the book, which received widespread media coverage, "was considered to be the first book-length exposition of second wave radical feminist theory".

On the other hand, systems biologists rarely stay the course with the two book-length expositions of relational biology [ 6, 7], and may even believe that anything is computable, given sufficient time and processing power, despite the fact that computer scientists have long known this to be trivially false [ 14].

On the other hand, such assessment is more exposed to different confounding parameters such as an uncontrolled length of exposition and dosage to different treatments, and a lower validity of assessment.

At the time, cautious estimations from Schering Plough Inc. and Wyeth Inc. allowed one to determine the number of exposed patients to each of the drugs from the beginning of the clinical trials until the time of the study, but did not allow one to determine the length of exposition in terms of the number of patients-years.

He therefore searched throughout Buddhist tradition for an accessible path, and at length found the exposition of the nembutsu.

It's a dense, rapid-pace dissection of an era, and the program contains no less than three full-length articles of exposition, a glossary of political terms and a list of the members of Parliament who speak, if only for a few seconds.

For example, he increased the importance of the coda, or concluding section, and used unusual keys in the exposition, which was greatly expanded in length.

Its too-muchness — the encyclopedic detail, the pseudoscholarly exposition, the soaring allegory, the punishing length — was as much a product of Tolkien's literary sensibility as of Mr. Jackson's commitment to cinematic maximalism.

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