Sentence examples for lend context to from inspiring English sources

Called "Democracy in Performance," the free program will spotlight moments in the country's history that may lend context to the following day's debate.

The blank space is better filled with comments that lend context to a photo, as a small percentage of Facebook users are now seeing.

To lend context to Facebook's Q2 earnings and user growth stats it just released, here's a recap of this quarter's biggest headlines about Facebook along with one line of analysis on each….

But little information was offered to lend context to how these and other beautiful pieces of wearable art related to the music or to the artist wearing them.

I interviewed Moriarty by e-mail, and that interview follows, but before I get to it, here are a few Lyme basics to lend context to the discussion.

Forbes should qualify Salzberg's article as the opinion of its author, and should lend context to that opinion by disclosing Salzberg's personal and professional qualifications that enable him to position himself as an authoritative and definitive voice among the thousands of scientists who continue to investigate the disease.

Some kids then break the fourth wall to lend context: "Woody Allen was accused of molestation. . . .

In its marketing center, in the G. M. Building, a human-size mock-up of the tower stands in perspective at the end of a hallway, the walls of which are hung with images to lend context: the Empire State Building, the Brooklyn Bridge, Babe Ruth.

Online, the historian specializes in serialized posts, called threads, that lend historical context to breaking news or skewer a version of history spouted by right-wing agitators.

Oreck brings together a collection of literary references to lend aesthetic context to the passion for insects, and assembles a collection of cityscapes and landscapes in order to see insects in their natural and commercial habitats and their devotees at work and play.

The group show "A Disagreeable Object," at the SculptureCenter, uses Giacometti's phrase to lend some context to a present in which casual attitudes toward sculpture have become commonplace (as in Gelitin's current show at Greene Naftali, which invites viewers to topple artworks), and plenty of value, material and otherwise, is attached to objects without pedestals.