Sentence examples for latter text from inspiring English sources

The latter text was considered for many years by the Dutch Reformed Church to be a standard treatise on Christian ethics and the variety of ethical situations faced by believers.

It's in the latter text that, in his argument against "socialist realism," I found the following nugget of wisdom: What is more real … in our universe than the life of a man, and how could one hope to revive it better than in a realistic film?

They serve to introduce some of the central features of Leibniz's metaphysics while omitting many important details (more details are omitted in the latter text, as we will soon see).

Incidentally, the latter text can easily be interpreted as a sustained reaffirmation of the correct meanings of terms in the wake of an age of semantic skepticism, and as a defense of Confucian realism over rampant Buddhist nominalism.

Whatever this doctrine may mean, it seems clear that from Kant's own perspective it cannot be dealt with in the Aesthetic, for the latter text abstracts from all contributions of understanding and therefore abstracts from any consideration of the unity of the manifold imposed by the unity of understanding.

The latter text, as well as that by Bonita et al, make special mention of the importance comparability [ 20].

If one approaches these latter texts as presenting a Christian drama of the soul's salvation, one cannot help but focus upon the unique, non-repeatable events that define the drama, e.g., the fall recounted in the early chapters of Genesis, the incarnation, passion, and resurrection of Christ in the synoptic and Johannine gospels, and the final judgement foretold in Revelations.

Eusebius' antipathy to Papias consequently led him to edit severely the latter's text and preserve only short excerpts.

There is an argument to be made for these works as latter-day, text-free manuscript illuminations that expand up close, especially as you begin to fathom the careful layering (and taping) that goes into each composition.

There will be new work by Anne Teresa De Keersmaeker and Lucinda Childs, the latter with a text by Susan Sontag.

The latter sentence in Text 5 indicates Danny's resistance to be negatively regarded.