Sentence examples for later repertory from inspiring English sources

But as she expanded into later repertory, from Schubert to Schoenberg (though not a great deal beyond), Ms. Uchida became a more expansive, passionate player, given to dynamic extremes and the kind of fluid phrasing that creates the impression, whether real or illusory, of being improvised on the spot, a response to how the music touches her at the moment she plays it.

Callas established herself at La Scala and set standards in the execution of bel canto operas; Tebaldi switched to a later repertory: Refice's Cecilia, Cilea's Adriana Lecouvreur, Catalani's La Wally, Leonora in La forza del destino and Tatyana in Tchaikovsky's Eugene Onegin.

Next Sunday, for instance, the pianist Innesa Zaretsky plays Scriabin and Rachmaninoff; on June 17, Lisa Lee and Mr. Koessel join forces for violin and cello duos of Kodaly, Handel and Ravel; and later repertory favorites include a Brahms String Sextet (June 24), Dvorak's Piano Quintet (July 1); and the two-viola quintet of Mozart (July 8).

Those qualities have carried into later repertories as well, in performances of Schoenberg, Debussy, Bartok, Messiaen and beyond.

New York, meanwhile, leads an impoverished early-musical life, with little of the music itself and few quality performers like those who have elsewhere carried the aesthetic of period instruments and performance practice to later repertories and broader audiences.

He learned his craft in the 1920s with a touring company and later the Birmingham Repertory Theatre.

He is the artistic director of Tectonic Theater Project, the company that developed and wrote The Laramie Project and The Laramie Project: 10 Years Later, running in repertory for the first time in New York at BAM, Feb. 12 to 24.

He later recorded that same repertory for Deutsche Grammophon.

It was later to enter the repertory of the Royal Ballet.

He first appeared with the Union theatre repertory company (later renamed the Melbourne theatre company) in 1960 in She Stoops to Conquer.

He was especially known for his Germanic orchestral repertory and, later, his special interest in the music of Gioachino Rossini and Giuseppe Verdi.