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A south wing was added in 1904 and the north wing — where the recent collapse occurred — was added a year later, designed by Renwick, Aspinwall & Owen.
As an independent architect Adler designed Central Music Hall in Chicago (1879), which was the prototype of theatres later designed by the firm of Adler and Sullivan.
(It is also below the $35 million that Alexis Stewart, the daughter of Martha Stewart, paid in 2006 for a triplex at 165 Charles Street, a separate condo later designed by Mr. Meier south of 176 Perry Street).
And the Greek Revival-style museum (to which columns were added later), designed by the New York architect Albert R. Ross, opened in 1914 with the Evans collection as its mainstay.
Using a variety of methods, including "Yes, and?" brainstorming and having anthropologists analyze video footage of collegebound kids shopping for kitchenware, Jump helped devise a product called Kitchen in a Box, a collection of dozens of different utensils, pans, pots and a kettle, later designed by Todd Oldham.
The corner towers, while similar to those later designed by Brettingham at Euston Hall, were the work of a later owner and architect.
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George Sheringham designed new productions that season of H.M.S. Pinafore, The Pirates of Penzance, and Patience (1929, with other designs contributed by Hugo Rumbold), and he later designed costumes for Trial by Jury and Iolanthe.
Designed by Minoru Yamasaki, who later designed the World Trade Center in Manhattan, the project was a failure.
But its stoop was removed in a 1910 makeover by John Cross, who later designed Tiffany & Company's Fifth Avenue store.
The Stephensons' Rocket won against three rivals, including an entry by John Ericsson, who later designed an armoured vessel called the Monitor for the federal forces during the American Civil War.
The building, at 600 Park Avenue, was an early work by James Gamble Rogers, who later designed the neo-Gothic Harkness Tower at Yale, but here Rogers developed a chaste English Renaissance-style design, with a sloping slate roof on the setback fourth floor that gave the house a robust dignity.
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