Sentence examples for later contrast from inspiring English sources

We start with investigating the scattering and near fields of metallic nanoparticles and later contrast them to those from dielectric particles.

"We wanted to make a happier space," one of the Summit Bar's owners, Hamid Rashidzada, told me later, contrasting the bar with the not-quite-worn-out chic of Prohibition-themed bars.

Singing both a cappella and with lively accompaniment from Shira Kammen on vielle, Peter Maund on percussion and Ms. Cunningham on harp, the ensemble began with the simple plainchant of "Virgines Egregie," which it later contrasted with rhythmically lively, harmonically striking and complex selections like "Ave Maris Stella" and "Mater Patris et Filia".

In any case, his influence was shaken, and he withdrew from Rome to Liternum in Campania, where he lived simply on a villa (country farm) of modest size, cultivating the fields with his own hands; Lucius Annaeus Seneca later contrasted the villa's small and cold bathroom with the luxurious baths of his own day.

And, later, contrasting the efforts of his staff with other, more possessive ethnic histories: "Instead of simply saying, 'This is our story, period,' we want to say, 'This is everybody's story.' " Bunch's framing of black experience, as a lens through which one may better see some static American text, sidesteps more than a century of scuffles over the nature, and the meaning, of that experience.

Nokia's boast that its device is perfect for users wanting to "shoot first, zoom later" contrasts with the approach taken by other brands.

Since Truscott's views cannot be ignored on the subject, some serious limitations in his more recent publications are identified, and his conclusions are later contrasted with four recent studies into error correction.

Tătărescu later contrasted his diplomatic approach with the strategy of Barbu Ştirbey (who had only attempted an agreement with the Western Allies in Cairo, instead of opening relations with the Soviets).

Optimists point out that Britain's statisticians tend to revise up estimates of GDP over time (often years later), in contrast to practice in America (see article).

Then Cézanne, with his "deeply private" emotional life, is set against "camera-loving and concupiscent" Picasso; later, the contrast is between "rural, domestic and uxorious" Braque and Picasso, who is now called "cosmopolitan, voracious and Dionysiac".

A few decades later, by contrast, they made a heroine of Hannah Duston, who escaped captivity by killing 10 Indians with a hatchet, six of them children, and bringing home their scalps for a bounty.