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It was an extreme development of Raphael's late manner and opposed the naturalistic basis inherent in High Renaissance art.
The effect of form, texture, and ornament is achieved in Velázquez's late manner without any definition of detail, in a free, "sketchy" technique.
His genius is undiluted, yes, but, at the age of seventy-four, not unaltered: it's normal for artists' ways to change as they age, and the late manner is often misunderstood for being more austere or distilled or rarefied.
Both are painted in such a shaky, attenuated version of Caravaggio's robust late manner as to suggest that he was suffering from some form of terrible tremor, or perhaps an eye complaint.
The powerful head, the brilliant combinations of crimson of the curtain, the chair, and the cope are painted with fluent technique and almost imperceptible brushstrokes that go far beyond the late manner of Titian and announce the last stage in Velázquez's development in the direction of Impressionism.
In addition, alternative fusion strategies of features may be followed, for example, by classifying and optimizing for each feature group individually and fusing in a late manner opposed to the herein chosen strategy of accumulating all features in one classifier.
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I'd call "Nouvelle Vague," from 1990, the first film of Godard's latest manner — though, of course, at age seventy-eight, he's still at work, with "Socialisme" approaching completion, and let's hope he's got many ever-later styles to come).
In 1651 the artist decided to start all over again, to reinvent how he painted – to both paint and draw with his brush, in what has become known as his late "rough manner".
The Baroque influence is noticeable especially in the spare textures and austere lines of certain of the solo numbers, though others are squarely in the decorative, south German late Rococo manner (this interest in "old-fashioned" counterpoint can also be seen in some of Mozart's piano music of the time and in his string arrangements of music from Bach's The Well-Tempered Clavier).
Every leaf on every tree has been personally schooled to redden and drop in the approved late-fifties manner.
But many French responses to the moment feel mainly clever, as in three paintings by Fernand Léger which fold classical references into his upbeat late-Cubist manner.
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