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And so, perhaps by thinking about repetition in music with a reasonably wide frame – large-scale repetition, in which repeating is the compositional point, as in Steve Reich's hypnotic "Four Organs"; James Brown's "Ain't It Funky Now," with its creeping, repeated vamps; Rihanna's "Don't Stop the Music", et cetera – it's possible to start thinking about what repetition is for.
It's one of the ironies of this piece that music that's so inherently dynamic and ever-changing should actually be about the large-scale repetition of a passage of "glorioso" (as it's marked in the score) music, which you initially hear as the climax of the first section of the opening Allegro.
Bruckner, a devout Catholic whose church music is among the finest of his generation, is noteworthy not only for the excessive length and heavy orchestration of many late movements but for his Wagnerian harmonies, large-scale repetitions, and (at its best) monumental conceptions of form.
"Alyse Rosner: Large Scale Work".
He does this on a large scale.
Large Scale Biology Corporation.
See also: Large scale Internet telephony.
That's a large scale indeed.
Large scale CAES system.
Think large scale here.
Ours is a large scale installation".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com