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A memorial, as part of a mixed-use project, will in some way turn out to look Minimalist, Minimalism, of all improbable art movements of the last 50 years, having become the unofficial language of memorial art.
It is partly a tomb of the unknown victim, with the abstract language of memorial design, if it ends up being abstract, that much more in tension with the literal: in this case not just literally lists of names but parts of bodies, the corporeal and the symbolic.
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Minimalism proved itself there as the sculptural language of the memorial sublime, combining the abstraction of the memorial's physical form with the absolute specificity of the names of every dead and missing soldier.
In the years after the Civil War, the search for an American memorial went on, as artists found statuary forms that could speak an accessible language of commemoration without betraying the egalitarian cause.
The architect Sergey Rizh says he attempted to show the idea of the memorial with a "concise language of architectural forms".
The solemnity derives from Ms. Mirra's adaptation of earlier art: like others before her (see Maya Lin's Vietnam memorial or Rachel Whiteread's work), she uses Minimalism for more or less explicitly memorial purposes, as a visual language of compressed, allusive emotion.
In "Birthplace of Memorial Day?
Nearly a week after the television news coverage of Memorial Day, I'm still thinking about how much I envy Tom Brokaw for having managed to slip a phrase into the language.
Better to enjoy the slowness of Memorial Morning and Memorial Afternoon and Memorial Evening, the fireflies rising like very slow fireworks into the darkness of the trees.
The Brisbane memorial began the tradition of memorial tablets to "prominent people".
Same shock, same concept of memorial.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com