Sentence examples for landscape shooting from inspiring English sources

There is something inherently appealing about a sexy, buxom witch wandering a postapocalyptic landscape shooting zombies with flaming bullets and casting spells that bring down lightning or cause spears to shoot from the ground.

Ms. Faucher has an eye for color -- she dresses Ms. Neymark in greens and blues that offset the actress's red locks beautifully -- and a nice sense of landscape, shooting a cabbage patch with the same loving attention with which Claire sews on the adornments of the film's title.

Joe has explored his hometown as well as the contemporary Southern landscape, shooting sensitively and photographing details we'd otherwise feel uncomfortable staring at, which creates a sense of honest vernacularity.

He saw it -- a black-and-white landscape shot around 1905 -- in a gallery about 15 years ago.

Moreover, by the second lingering closeup of a horse's eye or the sixth epic landscape shot with four-fifths sky and one-fifth land, even those sophisticated visuals begin to feel repetitive.

He will, for example, cut from grainy Super-8 close-up indoor talk to a majestic landscape shot in 35-millimeter but deliberately underexposed in a way that suggests it may or may not be real.

He will, for example, cut from grainy Super-8 close-up indoor talk to a majestic landscape shot in 35mm but underexposed in a way that suggests it may not be real.

A lot of the photo albums in Iran from 20 or 30 years ago have the same stock landscape shot on the front: a green and flowery mountainside, beautiful and hopeful.

Using a wealth of footage (some of it unseen until now) of the moon's stark and eerily beautiful landscape, shot by the astronauts themselves, and interviewing the craggy and grey-haired participants themselves - with one conspicuous and enigmatic exception - David Sington's documentary is gripping.

The photographs and video clips of anonymous-looking buildings in parched landscapes shot through a shimmering heat haze seem to emit a buzz of mystery as they turn military surveillance inside out: here the surveillant is surveilled.

At Fraenkel, large black-and- white photographs of landscapes shot in the American West when it was still wide open and virginal to the occidental perspective are presented in a fascinating dialogue with pictures by the contemporary photographer Robert Adams, whose landscapes document the creep of industry and residential populations across the same territory after World War II.