Among many labels set up by producers, Kenny Gamble and Leon Huff's Philadelphia International was an inspirational flagship during the 1970s.
Mr. Anderson made just a handful of albums, and some of these — on the Alsut label, set up by Mr. Sutton for this purpose — were not widely distributed.
Belle and Sebastian's debut album Tigermilk was originally released by the label set up by Stow College in Glasgow as part of its music business course.
He is also signed to Little Boots' imprint, On Repeat, a label set up specifically "to celebrate quality new pop music".
The group's first two vinyl recordings are being reissued, twenty years after their initial release, on a label set up by the members to preserve their output.
The night has since expanded into a label, inspired by the success of Communion (the label set up by Mumfords' Ben Lovett) which has launched the careers of Ben Howard and Michael Kiwanuka, as well as signing up hotly tipped stars such as Daughter.
The other set, Ork Records: New York, New York, compiles the output of "the world's first punk label", set up in August 1975 by Terry Ork to release Television's debut single, Little Johnny Jewel.
If Motown had been aspirational, then Metroplex, and the Transmat and KMS labels set up by May and Saunderson, were the sound of a future snatched away by industrial collapse.
The song was written not by a 13-year-old but by two adults, Clarence Jey and Patrice Wilson, who own and run ARK Music Factory, a label set up to support (usually very young) budding pop stars.
So the label set up recording sessions with Kearney Barton, who produced and engineered some of the original singles (as well as Seattle garage-rock classics from the Sonics and the Wailers).
