Sentence examples for label performance from inspiring English sources

Jack White established his Third Man Records  - a combination of record label, performance venue and record store - in the city in 2009.

Happenings as a descriptive term lost currency in the late 1960s, giving way to specific categories, such as body art, and by the early 1970s to the general label performance art.

He characterized his installations (he resisted the label performance artist) as "constructed situations," a term inspired by French Marxist theorist Guy Debord's treatise about the "construction of situations" (1957).

Mr. Zorn's importance to this new downtown is not his music so much as what he represents, like having your own label, performance spaces and tight-knit pack of frequent collaborators.

Sehgal works entirely in such encounters, for which he refuses the label "performance art", since the "interpreters", as he calls his team of locally recruited interlocutors, are not performers; rather, they are people with a genuine expertise or interest in the market economy.

"Nike became successful because it was everywhere," says Martyn Straw, the president of Interbrand, which tracks label performance.

It featured him in a starring role as himself, a live band of musicians from the Purple Ribbon label, performances by Sleepy Brown and Janelle Monáe, and syncopated dance sequences set to OutKast hits and tracks intended for Big Boi's solo album.

The poor label performances seen in this study should herald potential dangers to the Food and Drug Administration FDAA), HCPs, manufacturers, and consumers.

The second was to an experimental piece of gay theatre – a monologue by a little-known actress named Kres Mersky that nowadays would be labelled performance art, and queer performance art at that – which he included in his primetime TV show in total defiance of NBC.

The Town Hall tapes are just one of scores of audio archives around the country rotting in warehouses or in danger of being tossed out by record labels, performance spaces, radio stations and media companies who are either unaware of their cultural value or unable to pay for their upkeep, said Gerald Seligman, the executive director of the National Recording Preservation Foundation.

Furthermore, outliers in Eq. (1) should not have a huge effect on the labeling performance.