Sentence examples for label commitments from inspiring English sources

Initially an imprint for music that falls outside of Black's bigger label commitments, The Bureau will soon issue records by artists including Jeremy Dubs and former Captain Beefheart sideman Eric Drew Feldman.

He stated that, as far as he was concerned, Audioslave had disbanded, and that a greatest hits collection would be issued in the future, because of label commitments.

They talk as if they've known each other for years, not just the past 12 months; they talk about label commitments, meeting on Facebook ("One day I'm messaging Chop, next he's on a plane to Los Angeles"), Chop's asking price ($1,000 a beat, on the low end), his Twitter account, Lil Wayne's house.

(Big stars with expiring contracts went independent instead of renewing their major-label commitments, or set up so-called "360 deals" that depend as much on touring and merchandising as on selling albums).

"Minimizing food losses during storage and transport, and waste of food by retailers and consumers; empowering consumer choice through appropriate labeling; commitments by producers, retailers and consumers within all nations; achieving progress through financial incentives, collective pledges, locally-relevant technologies and changed behavior" (Zero Hunger Challenge).

In the ARRM, an individual must pass through three stages: behavior labeling, commitment to change, and taking action.

No one was interested in buying them or putting in more cash with big music label royalty commitments already past due.

Factor four was labeled "Access to space" (Cronbach alpha = 0.60; ICC = 0.75), while the fifth factor was labeled "Time commitments" (Cronbach alpha = 0.61; ICC = 0.66).

To a pop star on the rise, the lavish video is a rite of passage; to an established star, it's a measure of the label's commitment.

Heavyweights such as Johnny Clarke, Augustus Pablo, Bob Andy and Niney represent the label's commitment to roots reggae; Susan Cadogan, Dennis Brown and Louisa Mark fly the flag for lovers rock, while the original Stalag riddim (Stalag 17 by Ansell Collins and Gregory Isaacs Love Is Overdueue signpost how Trojan embraced the coming of dancehall.

The label's commitment quickly panned out: from the release of his first single—"The Snakes Crawl at Night" (1966)—country music audiences were drawn to Pride's rich baritone voice, the extraordinary clarity and affecting simplicity of his singing, and the traditional content of the songs he recorded.