Sentence examples for knowledge of museum from inspiring English sources

Exact(1)

We strive for scientific accuracy in our exhibits but also need to recognize and accommodate the needs and knowledge of museum visitors a carefully created and scientifically accurate diagram for a research journal is likely to be inaccessible to many visitors and even other scientists.

Similar(58)

I had no knowledge of the museum and, curious to see what it was a museum of, walked through the wooden doors into the carriage entrance.

Although some evidence suggests that people with inside knowledge of the museum were responsible for stealing the more valuable items, Mr. George said he had no information indicating that the culprits were officials connected with his antiquities department or with the government of Saddam Hussein.

Reached in the director's office on Wednesday morning, Mr. Druick, who previously led the prints and drawings and European painting and sculpture departments, said that he felt his intimate knowledge of the museum gave him "a very good perspective of the ways we can grow".

The methodology employed in the case study includes the collection of the background knowledge of the museum, semi-structured interviews with the organization management, its associates and suppliers, evaluation of visitors' written feedback, observation of visitors behavior as well as the artifacts analysis of the museum's collection.

For those with no knowledge of Savin Rock, the museum is a revelation.

Now I am not in favor of any archeological loss that harms our knowledge of history, whether in museums or archeological digs, but in a state of war where propaganda is everything, such context matters immensely.

"It improves upon our understanding of these objects to have their knowledge of them," Mr. Gover, the museum director, said of the guest curators.

A spokesperson for the Kennedy Library Foundation, in the room with me and Bredhoff, said that knowledge of the President among the museum's youngest visitors sometimes consists of little more than "that he was young and that he died young".

The collection expanded to 16 million cards, and Mr. Otlet and Mr. La Fontaine envisioned a "city of knowledge," complete with museum exhibits and other archival material.

The installation juxtaposed traditional displays of classical art, centered on groups of unrelated beautiful objects, with more recent archeological approaches; placards raised questions about authenticity and provenance, suggesting the inherent instability of knowledge about many museum artifacts).

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