Sentence examples for kiln temperature from inspiring English sources

These pots are often times thought to be used as a way to test the kiln temperature, but this might not actually have been the case.

Crystalline and glassy phases can occur together, along with unreacted starting materials and the molecular composition of the porcelain body and of the applied glaze is critically dependent upon the processing technology, firing sequence and kiln temperature.

The peak kiln temperature normally attained was approximately 1,800°F (cone number 6).

Clay pots were created in workshops, usually led by master potters, who knew how to manipulate kiln temperature by letting air in and out at different times, never knowing for certain how the final product would turn out.

Smokies with the same flavour but less dark in appearance can be made in a mechanical kiln by smoking for about 2½ hours, with a kiln temperature of about 30°C for the first hour, 50°C for half an hour, and 75°C for the last hour.

When she leaves certain areas of copper exposed to the 1,850-degree 1,850-degreetures, oxidation produces a matte finish that lookilnike burnished dark pewtemperatures

It was Song Dynasty (960-1279) potters at Jingdezhen who discovered the secret of porcelain production when they added kaolin to the China-stone used to make other ceramics and raised kiln temperatures to above 1,300 Celsius (2,400 degrees Fahrenheit).

The detection of anatase almost exclusively in the porcelain bodies rather than rutile, the higher temperature stable form of titanium (II) oxide, indicates lower kiln temperatures.

The discovery of β-wollastonite characteristic of soft-paste porcelains further suggests two of the shards (#1 and #3) being subjected to lower kiln temperatures.

Anatase is a component of the kaolin china clay and is a strong Raman scatterer; it is converted to rutile at temperatures ranging from 400 to 1200 °C and therefore its presence provides a good estimate of kiln temperatures [19 22].

While definitely a beneficial addition in terms of creating aesthetically pleasing paint jobs, we still have to be concerned with kiln temperatures and making sure they are even/consistent at all levels of the kiln, which is something we certainly struggled with in our initial firing.