Sentence examples for key velocity from inspiring English sources

The connection between the pitch or key velocity and this phenomenon is still not understood.

To excite the DWG loop, there is the excitation generator block, named Excitation, which makes use of an algorithm described in [20] to generate the an excitation signal related to key velocity and data on the tangent to string distance.

There is a slight correlation with the key velocity, suggesting that the phenomenon may be correlated to acoustical nonlinearities (e.g., string termination yielding), similar to those appearing in other instruments such as the kantele [4].

The average key velocity normally varies linearly in the range 1 to 4 m/s and is mapped to integers from 1 to 127, as per the Musical Instrument Digital Interface (MIDI) standard.

To calculate the pulse length in samples N, the average key velocity v and the initial distance d between the tangent and stud are required; thus, N = f s d v, (7).

Specifically, the excitation waveform is generated depending on the key strike velocity, and the release mechanism is modeled from the speaking and nonspeaking string lengths.

Thus, when rendered expected, or very unexpected, the critical chords in the expressive conditions all differed in their key-stroke velocity compared to the preceding chords (most of them being played with an accent, i.e. with increased loudness), whereas all notes in the non-expressive condition were played with the same key-stroke velocity as all other chords.

To increase the emotional response to such unexpected harmonies, performers use means of emotional expression in music, such as playing the notes with increased or decreased key-stroke velocity (e.g., an accent, or an unexpectedly soft timbre).

From each of these 75 MIDI files, another MIDI file without emotional expression was created by eliminating all agogics (i.e., variations in tempo), and by adjusting the key-stroke velocity of all notes to the same value, thus eliminating all dynamics (velocity was set to the mean velocity of the corresponding expressive version).

These non-expressive stimuli did not contain any variation in tempo (and all notes were played with the same key-stroke velocity), enabling us to compare ERP responses to unexpected harmonies between conditions in which the music was played expressively, or presented without any expression.

The uh is proposed as the key characteristic swarm velocity of the system.