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Forster is looking from key to key on the screen before him.
He lived in the newspaper office and at night would climb onto Marquis's typewriter and tell his story in poetry by jumping from key to key.
To get there, it could have crawled down Highway 1, crossing several bridges along the way, or swum from key to key.
He types with just one finger, swooshing it from key to key to compose Aaronverse, which mixes childish enthusiasm with candor and the metaphors he is constantly inventing.
Thereafter, the chord's notes change one at time, so the shift from key to key occurs by stealth: it's not until you've arrived that you realize how the journey occurred.
His concertos follow a seemingly predictable formula, but nothing turns out quite as expected; melodies jump from key to key, slip into the minor mode, stop short, go on longer than usual, break into fragments.
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He's key — key to our success, from here on out".
"Key in!" says FCE-6. "Leg's unsecure!" "Key to Hands!" "Key in!" "Hands unsecure!" "Key out!
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com