Sentence examples for key director from inspiring English sources
The documentary "Rohmer in Paris" is composed mostly of clips from the films of Eric Rohmer (who died in 2010, at the age of eighty-nine), a key director of the New Wave.
Mike Nichols emerged from the improv circuit and, after forming a double act with Elaine May, became a key director of the counter-culture era: credits included Who's Afraid of Virginia Woolf, Carnal Knowledge, and the hugely successful The Graduate.
Soon after his return, he was promoted to be Fairbanks's director, had his classical features enhanced by a broken nose (the result of an on-set punch-up), became the lover of the actresses he directed (Norma Shearer, the "It Girl" Clara Bow and Jean Harlow among them), and ended up with the coming of sound as a key director at Paramount.
Another key Director is Jay Dweck, a Managing Director and Global Head of Strategies and Technology for the Institutional Securities Group at Morgan Stanley.
It's a quieter role, less dependent on one-liners and flashy gestures ― a perfect way forward for both her and Wang, who is easily Sundance's key director to watch.
Prices in the Netherlands have historically tended to overshoot at the least hint of rapid credit expansion.Tony Key, director of research at Investment Property Databank, now expects returns to head downwards in Dublin.
Other key directors in the documentary movement include the varied likes of Stuart Legg, Alberto Cavalcanti and Len Lye.
Three of the firm's key directors – Graham Sharp, Claude Dauphin and Eric de Turckheim – were based in London.
The key directors of the French New Wave – Jean-Luc Godard, Eric Rohmer, Claude Chabrol, François Truffaut – started out as film critics, associated with the journal Cahiers du Cinéma.
Kubrick and other key directors whose careers overlapped with his (such as Hitchcock and Howard Hawks) put their sense of style to the test with violent emotions and violent actions.
The key directors of the period were British intellectuals – Jack Clayton, Lindsay Anderson, Tony Richardson, John Schlesinger and Karel Reisz – whose chosen subjects were working-class dramas set in the provinces; not worlds with which they were wholly familiar.
