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The Kelly character would have jilted Blair for a series of starlets; the Blair role would have triumphed over abandonment or fallen apart.
Yet it is in "For Me and My Gal" (1942) that we are most fully persuaded that the Kelly character is loved by the heroine, played by Judy Garland.
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Michael Socha is often Mike, Vicky McClure can be Vicky on occasion, but the rest, from Milky to Gadge to Kelly are almost always their character.
Even with some resemblances to Prince and R. Kelly, he's an unusual character for R&B: estranged but observant, admitting an attraction to a man, finding emptiness where others find material or emotional comfort.
When he points at a Sly Stone-like character (the convincing Raja Kelly), he's really drawing attention to himself.
But what, pray, can Kelly do about the real problem: the character of the man in the Oval Office?
As Kelly's love interest, Cyd Charisse is a character of contrasts: a hard-nosed programming executive who lives in a prim and proper hotel for women.
But the Kelly who made Southland Tales isn't a reformed character just yet.
One of the notable things about the Kelly saga is how each of its three main characters unwittingly unleashed forces that ultimately proved devastating to them all.
Backstabbing twins, SABRINA and KELLY -- who one suspects might actually be named after the "Charlie's Angels" characters -- are just one highlight.
Her character's age is never specified, but she looks prematurely wearied, and only blossoms, Kelly-like, toward the end.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com