Sentence examples for juxtaposition of which from inspiring English sources

Exact(2)

As mentioned before, a system usually consists of a number of constituent elements, or a number of smaller systems, or subsystems; the juxtaposition of which as well as their dependence on each other will influence the reliability of the system (Han et al.2007).2007

The superhero t-shirts in question include one for boys that reads, "Be a Hero," and one for girls that reads, "I Need a Hero," the juxtaposition of which has recently led many to criticize them as spreading a message that girls can't be heroes themselves; that hero roles are for men only and girls need to be saved by male heroes.

Similar(58)

For all the polyphonic and polyrhythmic, abrupt and mercurial juxtapositions, of which the first episode of "Random Acts of Flyness" is formed, it's also a work of meticulous composition that highlights the imaginative astonishments, political perspectives, and personal insights that are unleashed by the cinema's technical power.

In another of the juxtapositions of which Greenfield is fond, a few pages away is an image of Enrique, the senior-class president of Hollywood High, in a chalk-stripe suit and black fedora, soberly handing over payment for the rental of a limousine, having worked for two years to earn the six hundred dollars he would spend on prom night.

It's one of many disconcerting historical juxtapositions; many of which inspired Bowie back then.

As a red advertising billboard of Valentine becomes a prophecy, she is brought together with the principals from "Blue" and "White". This juxtaposition of destinies, which is not made to tie up narrative loose ends, is satisfying without being pat.

Our society will no longer have a common destiny; instead it will be based on a juxtaposition of 'minorities' which each have their own rights but no common obligation.

The exterior walls are two-foot-thick exposed rammed earth (in this case, earth and concrete), with exposed steel web-joist framing, a juxtaposition of ancient and contemporary of which the architect is especially proud.

The problem is considered on the juxtaposition of two intervals, one of which of small length δ, and models physical phenomena in media constituted by two parts with different physical characteristics.

In this way he hopes to 'offer the reader constant suggestive openings for interest in unobtrusive patterns of juxtaposition, recurrence and contrast, out of which fresh and unpredictable understandings may emerge'.

And this is right; for the juxtaposition or mixing does not consist of those things of which it is the juxtaposition or mixing.

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