The phrase "its filmmaker" is correct and usable in written English.
You can use it when referring to the creator or director of a film in a possessive form.
Example: "The documentary received praise for its filmmaker's unique storytelling approach."
Alternatives: "the film's director" or "the movie's creator."
Arab financers have since scampered to dissociate themselves from it, accusing its filmmaker of bias in favor of the Israelis.
"The Master" is a far greater film not because it is more human or more humane, but because it is, down to its details, more exhilaratingly, mysteriously imagined — because it's inhabited by its filmmaker with a furious yet probing, assertive yet questioning engagement.
Before "indie" was a brand, it was sometimes called guerrilla filmmaking, and in "Born in Flames" the feeling of a movie arising from its filmmaker's fierce passion — it took Borden five years of stolen moments to get it done — converges with its very subject.
The festival re-established its filmmaker's grant award in 2011, renaming it the Keith Clark & Barry Becker Filmmaker Award (in honor of the co-founders of the festival).
While the tactic would make most ordinary industry executives blanch, this film and its filmmaker are far from ordinary.
Sundance is known for its filmmaker labs, which help artists to develop their movies, and for the annual Sundance Film Festival in Park City, Utah.
So the film Party Girl, which opened the 'Un Certain Regard' section this year in Cannes, had a very special, personal meaning for me, an extra reason to watch it... Its filmmakers, Marie Amachoukeli, Claire Burger and Samuel Theis, were the recipients of the 'Camera d'Or' best first feature prize and their chemistry, on and off the screen, is wonderful.
Sony said in a statement that it "stands by its filmmakers and their right to free expression" but must put "the safety of employees and theatre-goers first".
That is partly fallout from the festival and partly because as many as 40percentt of the projects in its filmmakers' laboratories make it to production.
Despite the film's modernistic self-reflectiveness, its overt liberal moralism and its filmmakers' overt proclamation of it, no other aspect of its aesthetic alludes to it.
Germany's past continued to haunt its filmmakers.
