Brantley claimed that, in its conjunction of the visual and the musical, it offered something "undreamt-of in theatre producers' philosophies".
"Drumming" inhabits our bones and viscera; its conjunction of regularity and development soothes the frayed nerve, works on the headache, settles the stomach.
The precise meaning of the cong, as well as its possible association with astronomical sighting or geomantic site selection, and its conjunction of yin (square, earth, female) and yang (circular, heaven, male) features remain unclear.
For obvious reasons, neither Obama nor McCain wants to address the conjunction of race and class in this election.
Auriol says: "Thus each of these cognitions should be posited within intellect, although we do not experience intuitive cognition in this life because of its conjunction with sensory intuition" (trans. Pasnau 2002, pp. 210 11, n. 121).
The piece is now in the collection of the Museum of Modern Art, in New York, and is celebrated for its suggestive conjunction of the domestic and the erotic.
The plot, with its painful conjunctions of personal desire and political duty, stands on its own, even as it offers a precursor to operas like "Simon Boccanegra," "Aida" and "Don Carlos, Verdii's French masterpiece, which will be performed at Caramoor on July 20.
The first stage of the program starts in infancy, where Rousseau's crucial concern is to avoid conveying the idea that human relations are essentially ones of domination and subordination, an idea that can too easily by fostered in the infant by the conjunction of its own dependence on parental care and its power to get attention by crying.
Hence, as A is identical to the conjunction of its constituent states of affairs, it would seem that it will have the same shape in any world in which it exists, i.e., it will have that shape essentially.
Several paintings approach allegory revisited as parody, beginning with Large Interior, W9 1973 (his mother and his lover), and the heavily promoted Large Interior W11 (After Watteau) 1981 83, with its awkward (and memorable) conjunction of five people from the artist's intimate life.
For Armstrong (1997, 35), W is simply the conjunction of its constituent states of affairs.
