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One of the hardest parts of learning Chinese for English speakers (beside its characters) is probably that it's a tonal language, where a high, low, falling or rising tone can make a big difference in the meaning of a word.
"It's not for nothing that one of its characters is reading War and Peace," he says.
The film's attitude toward its characters is more complex than this synopsis suggests.
Nothing in the movie indicates that the ethnicity of its characters is of any significance whatsoever to the action.
Each of its characters is tightly formulated, equally the product of futuristic graphics programs and good old joke writing.
And the mind-set of its characters is definitely British provincial, or as provincial as the age of television and the Internet allows.
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It's unpretentious even when its characters are being ultra-pretentious.
Because it was canceled so early and because its characters were teenagers, there's a sense that they literally died too young.
An arcane web of duplicity, it may be slight on plot, but its characters are brilliantly sketched.
Its characters are flat; its prose — well, call it utilitarian.
It suffers from the film's conviction that its characters are irredeemable.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com