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The last time it was memoir and autobiography.
— David Sipress Recently, I came across an excerpt from Zinzi Clemmons's début novel, "What We Lose," mistakenly thinking it was memoir.
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The author insists that it is memoir, not history, and he is right.
O.K,. fine, it's "Memoirs of a Dutiful Daughter," by Simone de Beauvoir, you highbrows.
I wish it were a mystery novel set in a quietly seething college town, but alas it would likely be memoir.
Though it was a memoir, it was cooler in tone and in a way more distant.
It was a memoir, of sorts, called "People Who Led to My Plays," by Adrienne Kennedy.
The easiest thing to write was Fever Pitch because it was a memoir.
Here it was: the memoir of human sufferings, the Primo Levi money shot, the Solzhenitsyn kicker, the soul laid bare.
It was a memoir about the church and Christianity that focused on the experiences of my gay friends.
Well, it's a memoir about writing a memoir.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com