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As much as it presents the story of colony and empire won and lost, this exhibit captures intimately the strange, often displaced, romance that a great power harbored in its conquete civilisatrice -what it imagined its colonial mission was as much as it erased the reality and history of those it was colonizing.
It was, in its own way, horribly modern – it imagined a different, perverted vision of modernity.
Like its cinematic contemporary "Blue Lagoon," it imagined the emergence of adolescent longing in a situation completely removed from the constructs of society, allowing "forbidden" love to be explored with little damage to the protagonists.
It imagined the continent as one, a continuous land, its people interconnected.
What makes American Psycho so subversive is that it imagined soulless consumption and craven materialism taken to its seemingly inevitable conclusion.
Its strictures are more nuanced, and perhaps also more flexible, than it imagined.
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It imagines a world that is gone.
It imagines that the gods are alive.
Did it imagine that publishers would buckle?
Because it imagines God and power separated.
It imagines green-roofed buildings connected by tree-lined walkways.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com