The structure of history, Ranke argues, echoes the structure of a text in so far as it consists of a particular kind of co-dependence between parts and whole.
The control of the flow echoes the structure of the power system, which is not unlike the hub-and-spoke array of airline traffic.
"Velvet Goldmine" crudely echoes the structure of "Citizen Kane," as a reporter (Christian Bale) reconstructs, through interviews and flashbacks, the story of Brian Slade, a bisexual, Bowie-esque figure played by Mr. Rhys Meyers.
As a result, task-oriented dialogues are apt to be structured in a way that follows or "echoes" the structure of the domain entities and the way they can be purposefully acted upon.
The events ― held in churches, bookstores and community centers around Seattle ― are not religious, but intentionally echo the structure of faith-based gatherings, and include a sermon, songs and readings, followed by a social hour.
It echoes the racetrack shape of the Dart's taillights.
It echoes the signature 1960s haircut of Jane Birkin.
Silicon Valley may be home to companies where jeans and flip-flops are the norm, but Mark Zuckerberg, Steve Jobs, and Bill Gates are examples of how managing rapid growth and taking a company public leads to greater levels of financial and organizational maturity, as well as hierarchy that echoes the structure of traditional businesses.
This relay narration is presumably intended to echo the structure used by Stevenson for the story of Jekyll and Hyde, but results in moments when, with Fergins telling Clover what Davenport and Belial said to someone else, it can be hard to follow the voices, especially when, during the Samoan action, Clover suddenly asks supplementary questions in italics from the railway dining car.
This relay narration is presumably intended to echo the structure used by Stevenson for the story of Jekyll and Hyde, but results in moments when, with Fergins telling Clover what Davenport and Belial said to someone else, it can be hard to follow the voices, especially when, during the Samoan action, Clover suddenly asks supplementary questions in italics from the railway dining car.
Curved walls of stone, a round kitchen island and a circular fireplace in the center of the living room echo the structure's contours.
