This paper argues that unlike the AACR, FRBR lays bare its own ideological underpinnings, and in so doing, it dematerializes the text and mystifies the creative process.
But the vanity of Iñárritu's style, its conspicuous striving after effect, achieves the opposite result — it dematerializes the production and disembodies the performances, calls attention not to the rigors of the shoot but to the extraordinary care and handling, the extraordinary industrial equipment, that went into maintaining the actors and their well-being in inhospitable conditions.
In an attempt to escape, the Doctor and Avery board the TARDIS, but find it is acting haphazardly, and are forced to evacuate, and they watch as it dematerializes by itself.
"He said, 'Watch the coin,' and it started to develop a silver color instead of copper, and then the silver became bluish and the penny was getting quite fuzzy, out of focus, blurred, and then it simply was gone -- it slowly dematerialized".
In fact, the drill has been used so extensively that it almost dematerializes the vault, I think, in a very interesting way, creating a kind of overall tapestry of dark and light.
Opposed to the "elite" concept of art as collectible object, they "dematerialized" it by making language a part of its formal content.
The movie is dematerialized; it never conveys the sense that "this happened" or "this is happening," but, rather, that "this sort of thing happened".
Still, the sign is visually stunning, like an IMAX screen in the middle of a Manhattan street, and it all but dematerializes the façade, turning it from an object of glass and metal into a cavalcade of constantly changing colors and shapes.
Well outside the real glass walls, Mr. Nouvel, a French architect, put other glass walls that extended beyond the building and were meant to create disorienting reflections and general confusion as to where the museum itself really was, thereby "dematerializing" it (Mr. Nouvel's favorite word at the time) and making it difficult for what theoryspeakers call "the dominant regime" to find.
One of Mr. Bochner's early goals was to objectify further such work by dematerializing it.
"Bierstadt presents a certain way of understanding nature as beautiful and unpeopled and full of animals and grain and enduring and static, and Hegarty takes that same image and literally dematerializes it," he said.
