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Sarah Stegall enjoyed it, commenting that "This was one of the more quietly brilliant episodes of Fringe to date.
AOL TV's Jason Hughes was positive about it, commenting that "everything about the episode worked, from Marge's sexy calendar to Ned Flanders' role in the final moments".
It received mixed reviews: Pitchfork disapproved of it, commenting that "anyone remotely involved should find a stray dog and let it bite him", while About.com called it "the album's finest moment".
Evans enjoyed success in all four strokes at school level, but was most proficient at breaststroke and chose to specialise in it, commenting that "I'd rather be good at one stroke than mediocre in four".
She took issue with it, commenting that people should not have to see beyond disability; they should just see disability and accept it as a part of the person.
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Some who read it commented that the premise seemed unlikely, that nothing resembling the dystopia it depicted would ever happen in the United States.
It commented that it "contains a wealth of interesting items which are worth seeing".
It comments that the organ and vestry were in "unusually-shaped rooms", and notes the "ornate stained glass" of the Ascension.
In the studio, Oxley played "Early Winter" on a piano, and after hearing the song, Stefani approved of it and commented that "It was so beautiful and addictive.
It was commented that it would be valuable if women who actually had survived breast cancer participated in the breast health promotion activities.
It is worth commenting that all four therapists mentioned that better protocol training could have been carried out beforehand.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com