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I don't care if it's Wong Kar-wai or, I don't know, who's the most commercial filmmaker out there?
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It is Wong Doody that is leaving the Syndicate, Mr. Boyko said, because that agency is taking part in a review for a large account, Safeco, that had been handled by an Ogilvy North America sibling, Cole & Weber in Seattle.
So why is Wong leaving and what's next?
Another dropoff was Wong Fong Fui, a newcomer we profiled last year but whose fortune fell along with the stock of his Boustead Singapore, down 35% in the past year.
His counterpart on the Hip Sing side was Wong Get.
"Wong Kar Wai is Wong Kar Wai," said Leung, who has been working with the director for more than 20 years.
When you're wonging, you bet the same exorbitant amount every time.
From the director of In the Mood for Love and Chungking Express, it's exciting Wong Kar-Wai has lent his lens to the world of Kung Fu.
"The Grandmaster" is Wong's first new feature film since 2007's English-language excursion, "My Blueberry Nights," in which a young woman drifts across America.
Another is Wong's commitment to integrity, maintaining a strong separation between the artists and the brand sponsors.
It's counterproductive for Wong to insist that it isn't enough for conservative women to merely support the principles of gender equality.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com