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"Enter the Void" is a different kind of beast, partly because it's told through Oscar's sustained point of view.
It's told from three points-of-view: Geneva's, her mother's and Geneva's 16-year-old daughter.
The film is an R-rated comedy that's "female-driven," meaning that it's told from a woman's point of view, and that's always been a tough sell.
Joyce Carol Oates's first story in The New Yorker was called "Zombie"; published in 1994, it's told from the perspective of an icepick-wielding serial killer.
It's told equally from each side.
It's told with giddy abandon, and packed with balloons.
It's a great story but it's told totally differently.
Yet it's told through a pure operatic voice.
The Jabulani ball is doing what it's told.
History is rarely as charming and entertaining as when it's told by Simon Winchester.
But there's an even bigger logical hole in the Baltic story as it's told.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com