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But it's suspense all the same.
For us, it's suspense and excitement.
As written by Ernest Lehman and directed by Alfred Hitchcock, this is many things – it's a mystery, it's suspense, it's a love story, it's even the study of a frivolous man growing up at last, and it's an outrageous comedy in which the action mounts with a serene, runaway logic that Hitchcock never gives us time to question.
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It is suspense, something like boredom; nothing happens for long periods and then everything happens at once in indescribable confusion.
It is suspense that fuels Lions tours and packs hotel lobbies, even in the depths of a southern hemisphere winter.
Stanley Kauffmann in The New Republic said that he felt the film "never decides whether it is suspense or suspense-spoof".
She says, "it is this suspense-filled plenitude of the not-quite-known that gives live performance its special brilliance" (2003, 4).
"I like it best on the first viewing because it's got suspense and excitement...
If there's any kind of mystery that's a natural for winter reading, it's the suspense story, especially one like WHAT WAS LOST (Holt, paper, $14), which has you questioning your own sanity.
It's Romantic Suspense.
Ultimately, I think it's literary suspense.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com