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(Perhaps, Moriarty wants to suggest, it's Louise who's the chaperone).
It's Louise herself who tells the story, and it's often hard for the reader to gauge the state of Louise's mental health - just at is for her occasionally dismissive but ultimately confused husband Stuart.
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And it is Louise who carries the novel, with her good impulses, her fallibility and her wish for a transforming passion.
My hair is a banner on wide plains And I am Louise of the City of Glass Louise the dreamer, the shaper of worlds.
Then there's Louise, eating lollipops and evoking more than a shade of Lolita.
Having a tie to Hollywood, weak as it may be, Louise still hasn't absorbed the essential facts about Beverly Hills culture where a Brad and Angelina are forever enduring one day and off to hire a bevy of highly-paid divorce lawyers the next.
The colonel threatens to pursue the help of another linguist, who, it's implied, is Louise's competitor.
"This is Louise's father".
There is Louise's brother, an ex-junkie named Sammy Paul Ruddd).
There is Louise's mother (Lois Smith), piemaker, gardener, and sage.
This is Louise Janvier, and the one resting in peace is the great love of her life, Léon Le Gall.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com