Exact(4)
Rachel Berry may have choked during the biggest audition of her life, but after tonight's episode, I think it's "Glee" that needs the Heimlich.
So anytime you run into a complicated situation, imagine it's Glee and it will all be explainable.
Where we live the sea seems to loose it's glee.
But it's Glee, all pixie stix and gum drops, that made a whole speech about not using the word faggot not too long ago, and they even decided to edit out the word transsexual.
Similar(55)
It is Glee's ability to tackle issues like outing and bullying with an honesty not often seen on television, and far less often on network television, that makes the show so special.
While CNN's Lisa Respers France thought it was Glee best episode thus far and IGN's Robert Canning rated it 9 out of 10, which signifies an outstanding episode, Linda Holmes of National Public Radio dismissed it as "one of the most facile and emotionally inauthentic episodes the show has ever produced", and Todd VanDerWerff of The A.V. Club deemed it a failure on "almost every level".
It was "Glee" for adults.
And then there's Glee.
James Poniewozik of Time agreed that "Ballad" was not as good as "Wheels", commenting: "it's amazing how Glee can career from excruciating to transcendent within a single episode".
And while De Niro and Pfeiffer make their way through the story's paces well enough, it's actually "Glee's" Agron who makes a surprising impression, sliding from the innocent ingénue to manipulative murderess with ease.
It's what Glee is about, but Glee is a clean, Disney-esque product sprinkled with faerie dust.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com