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It's composer Monty Norman's tune we hear in the instantly iconic James Bond theme -- recycled, as it happens from an earlier song sung by Indian characters called "Good Sign Bad Sign" -- but it's John Barry's arrangement and orchestration that rockets forth.
While Tim Burton and Johnny Depp are widely considered to be joined at the hairdo – an emo-hipster version of Scorsese and De Niro – it's composer Danny Elfman who has been the director's most loyal and enduring collaborator.
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Whatever this new music is called and whether it is male or female sensibilities that shape it, it's composers like Rebecca Saunders, Claudia Molitor and Jennifer Walshe who are making the difference.
For Sasha, it's composers like Cliff Martinez who did Drive and Traffic, or Trent Reznor from Nine Inch Nails who now scores David Fincher pictures.
Trips down memory lane often fail to generate much more than a nostalgic kind of jazz - but if there's anyone whose musical past is likely to be captivating, it is composer Carla Bley.
Once it was, composer Stuart Brayson thought it might be adapted as a musical, and proposed the project to Tim Rice, who acquired the stage rights and wrote the lyrics.
Increasingly it's a composer's music.
It's the composer who is the creator.
"Yeah – as long as it's fantastic!" Composer Jonathan Bepler: The music comes from within the film.
Above all, Short recognises Holst as a composer for the people, who believed it was a composer's duty to provide music for practical purposes festivals, celebrations, ceremonies, Christmas carols or simple hymn tunes.
It's how composers used to operate.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com