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Great music is great music, whether it's acclaimed by 10 people or a tittering throng.
Yes, it's acclaimed by fellow SFF authors and is clearly held in huge esteem all over the place – hell, there's even Wolfian scholarship out there – but despite all this I'd still say it hasn't yet made it to the mainstream.
It's acclaimed by hipsters from Berkeley to Boston (see for yourself on Yelp).
It's acclaimed and enormously popular in the US.
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When You're Not Alone premiered at last year's Edinburgh fringe, it was acclaimed by critics and named comedy show of 2014 by Chortle website.
An abstract distillation of the black experience that had its premiere at the Brooklyn Academy, it was acclaimed by critics.
Smetana dedicated Má vlast to the city of Prague; after its first performance in November 1882 it was acclaimed by the Czech musical public as the true representation of Czech national style.
When Richard Shelton's first book The Longshoreman: A Life at the Water's Edge was published in 2004 it was acclaimed by Telegraph and Guardian readers alike.
It was acclaimed by The Washington Post for its 'fascinating case studies' featured in the book.
The minute Primary Colors was published, it was acclaimed by the critics for its wit and readability.
The work was not well received at its first performance in Birmingham, but after it was acclaimed in Germany, it won British favour.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com