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The prose bedrock across which Johnson scatters these misadventures is unadorned and frank – "I went out to the farmhouse where Dundun lived to get some pharmaceutical opium from him, but I was out of luck" – the product of a dulled sensibility that awards everything an equal and dazed relevance, whether it's a length of copper wire or a corpse.
It's a length that most print publishers would discourage because of the cost of printing, shipping and handling.
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It does not look like a crew cut or buzzcut but it is a length that is typically considered a men's cut.
It was a length delivery that just shaped away; Clarke tried to steer it to third man but got it too fine, and Faf du Plessis at second slip took a wonderful low catch.
It is a length of 256-bit hexadecimal string obtained from the OpenBabel, and we can convert it to a 256-bit vector.
It's a beautiful length, you can do anything at that length.
It's a good length for a single evening's reading or a plane flight.
It's a dull length.
It's a decent length and encourages a second play as you unlock the ability to find poetic memories hidden in the town.
It's a decent length of time and we're working with 3,000 prisoners, when 300 would normally be a big number for us.
It's a feature length documentary about Nick Offerman ingeniously titled Nick Offerman: American Ham.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com