Tarek Naga explains Islamic world geometry (Abu-Fadil).
Egyptian architect, designer and author Tarek Naga provided an elaborate explanation of Arab and Islamic world geometry using the Riemann surface as a model to explain historical designs.
Geometry, and Greek and Islamic experiments in mathematics, began to expose the importance of shape, distance, perspective and to reveal a vision of the universe "not as a series of static frames but as a moving process".
Furthermore, the underlying relationship between cosmology and geometry is manifested in Islamic patterns where geometry acts as the vocabulary underpinning the pattern language.
"In 2006, I started informally studying the geometry of Gothic and Islamic architectural ornamentation," he wrote in an email to The Huffington Post.
Experts at the event argued that everything was built on the past: Greco-Egyptian mathematician, astronomer, geographer, astrologer, and poet Ptolemy, for example, was copied by the Arabs, and the Medieval Islamic world was a wellspring of astronomy, optics, and geometry that benefited later civilizations around the world.
After Islamic school every week, my friends and I would study geometry together and log into Myspace in between check-ins from our parents.
It also describes the syntheses of Islamic patterns from the perspectives of Islamic cosmology, philosophy and metaphysics of geometry, which can be seen as following a pre-established principle of geometric and proportional design with high accuracy and great precision.
But they do provide him with a functional qualitative geometry of the eye and vision based on the best Greek and Islamic science.
See geometry: Cartesian geometry.
