But these kids were seemingly devoid of any sense of anything other than themselves, or of what they had bought.
It was a blessed relief when the final guest Adele arrived and steered the conversation into more interesting territory and revealed herself to be seemingly devoid of ambition.
The sense of a great flight — of crops put to the torch, of a ruined and shaken hinterland — is only heightened by trains booming underfoot, by the bleeping Klaxons of reversing box trucks, by the disorderly shoving of food carts between the stopped cars, and, above all, by the strangely focusless expressions worn by the oncoming commuters, who are seemingly devoid of ordinary consciousness.
We then performed TMS predictions for the 13 remaining sequences using the software tools Phobius [37] and SVMtm [38], which in all cases gave rise to the same results: Two proteins yielded strong positive scores indicating the likely presence of a TMS, three received weaker scores favoring TMS presence, and eight are seemingly devoid of a TMS.
The Tea Party is scary, seemingly devoid of a caring bone, and replete with ideas that are less than sensible; but like Newt Gingrich in Midterm '94 this nuttiness will be gone soon and we'll move onto something that looks like it's helping people who need it the most But the question remains: What difference does it make while the incumbents keep winning and bipartisanship is a well-played joke.
They're led by another group, the Drahvins' ruling elite who are callous, militaristic and seemingly devoid of compassion.
However, like the rest of Mars, the area is now dry and barren, seemingly devoid of any signs of life and activity.
The result was over 10,000 images, often devoid (or seemingly devoid) of people, showcasing the city's streets, buildings, their decorative architectural details, storefronts and parks.
It was a jumble of concrete and weeds, seemingly devoid of civilian life.
By identifying these portraits as racist, it charges an ever-problematic trope in the art world about self-representation and performance when the artist is in conversation with race, class, and gender, or seemingly devoid of that responsibility.
By Christopher Tidey DADAAB, Kenya, 25 July 2011 – Driving the nearly 100 kilometre sand road from the Somali border to the refugee camps in Dadaab, Kenya, is like an otherworldly odyssey across an arid landscape seemingly devoid of life.
