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"There are no words you could use to describe what that feeling is like, of, Oh, I'm so naïve, oh, the world is so cruel, oh, my God, this is what you wanted, and this is what you got".
And, as I did so, I saw a question repeated several times on the caregiving blogs I look at each day: "Is there life after caregiving, and if so what it is like?" Of course, there is no single answer to this question.
Neither Cameron nor Corbyn know what this is like, of course – but at least the Prime Minister is offering a solution.
"You're here to try and say what you believe you've been given to say … to try and share a particular picture of what the world is like, of what God is like, which of course leads you into sometimes risky and anything but infallible judgments about particular issues of the day".
Davidson's idea is the reverse of Frye's and Hollander's: he'd have us regard both the is of metaphor and the is like of simile as lengthenings of Pound's semicolon.
Maestro Young holds down the fort with the two percussionists keeping the groove smooth as silk throughout with brilliantly understated comping that is like of carpet of sound-very similar to McCoy Tyner's work on piano- that sets the scene for the others to make their statements.
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I was like, "Of course we can.
It's like kind of spam ourobouros".
It's like, 'Get out of here'.
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And they're like, of course!
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com